Three Stones Make a Wall: The Story of Archaeology

Three Stones Make a Wall
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Three Stones Make a Wall: The Story of Archaeology [Eric H. Cline, Glynnis Fawkes] on sembgenquidiren.ga *FREE* shipping on qualifying offers. From the bestselling. From the bestselling author of B.C., a comprehensive history of archaeology—from its amateur beginnings to the cutting-edge science it is today. In

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Book review: Eric Cline’s gripping Three Stones Make a Wall: The Story of Archaeology

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Journal of Eastern Mediterranean Archaeology and Heritage Studies

Unearthing the Bible Ch. Feb 22, Repix rated it really liked it. At its core is human history. The classical world has some complex stories. Fascinated by archaeology, I wanted to find a book that would provide a foundation, and an overview of the field and its history. Feb 26, Don rated it liked it. Another message gives notice of the open-air market days in each town, occurring in apparent sequence from Saturday in Pompeii to Friday in Rome, with stops in the towns of Nuceria, Atella, Nola, Cumae, and Puteoli in between.

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Three Stones Make a Wall: The Story of Archaeology

There may have been an actual Trojan Horse as described by the ancient poet Homer, or it may have been a metaphor for a natural disaster that laid waste to the city rather than a cunning military trick. Given all of the difficulties and complications, why does Cline enjoy his job so much? And why should the expensive, time-consuming and often inconclusive work undertaken by leading archaeologists like him, along with the countless students and volunteers who do most of the manual work, matter to the rest of us?

The Story Of Archaeology 1of6-Stones And Bones

On the personal level, Cline says he still feels the same delight he did when he unearthed a bronze Hellenic monkey's paw at a dig in Northern Israel while an undergraduate during his first overseas expedition some 35 years ago. Not only was this fragment from a furniture piece, inspired by the Greek god Pan, Cline's first significant artefact, the location of such an object so far from where it would have been made was surprising. Cline believes that archaeology matters to everyone because any information it produces adds to our store of knowledge about the entire span of human existence.

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He argues that the individual discoveries made by archaeologists "are united by one goal that links them all — the desire to understand the human story, from its deepest past to the rise and collapse of civilisations. Taken together, they are our story". At the same time, Cline acknowledges that archaeology has always come at a cost.

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The earliest archaeologists, who in the West began work during the 18th century, very much made it up as they went along, which means that many mistakes were made and unintended losses incurred. Some of the earliest modern archaeologists were little more than thieves, and they sometimes found that looting had been going on for millennia before they arrived. To this day, the ownership of famous early finds such as the Elgin marbles, the bust of Nefertiti and the Rosetta Stone, items which were taken away from their country of origin before international heritage protocols were established, continue to be contested.

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Although immense advances in methodology and ethics have been made since the pioneering days, Cline acknowledges that the work involves forever changing the site. For the contemporary archaeologist, the context in which a discovery is made is of vital importance in establishing its real significance.

In his own practice, Cline prefers to keep things as simple and straightforward as possible. On the personal level, Cline says he still feels the same delight he did when he unearthed a bronze Hellenic monkey's paw at a dig in Northern Israel while an undergraduate during his first overseas expedition some 35 years ago. Not only was this fragment from a furniture piece, inspired by the Greek god Pan, Cline's first significant artefact, the location of such an object so far from where it would have been made was surprising.

Cline believes that archaeology matters to everyone because any information it produces adds to our store of knowledge about the entire span of human existence. He argues that the individual discoveries made by archaeologists "are united by one goal that links them all — the desire to understand the human story, from its deepest past to the rise and collapse of civilisations.

Taken together, they are our story". At the same time, Cline acknowledges that archaeology has always come at a cost. The earliest archaeologists, who in the West began work during the 18th century, very much made it up as they went along, which means that many mistakes were made and unintended losses incurred. Some of the earliest modern archaeologists were little more than thieves, and they sometimes found that looting had been going on for millennia before they arrived. To this day, the ownership of famous early finds such as the Elgin marbles, the bust of Nefertiti and the Rosetta Stone, items which were taken away from their country of origin before international heritage protocols were established, continue to be contested.

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Although immense advances in methodology and ethics have been made since the pioneering days, Cline acknowledges that the work involves forever changing the site. For the contemporary archaeologist, the context in which a discovery is made is of vital importance in establishing its real significance. In his own practice, Cline prefers to keep things as simple and straightforward as possible. The book's title borrows from a self-deprecating joke among archaeologists about the imperative not to overthink the process as discoveries are being made: "One stone is a stone; two stones is a feature; three stones is a wall.

On the whole, Three Stones Make a Wall makes for a very good general introduction to the field though it is far from complete. Any Australian reader picking up this book may justifiably be dismayed to find the omission of the continent from what is otherwise a fairly wide-ranging and balanced survey.